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By the mids, Hemanta had consolidated his position as a prominent singer and composer. In Bengal, he was one of the foremost exponents of Rabindra Sangeet and perhaps the most sought-after male singer.
In a ceremony organised by Hemanta Mukherjee to honour Debabrata Biswas — , the legendary Rabindra Sangeet exponent, in Calcutta in March , Debabrata Biswas unhesitatingly mentioned Hemanta as "the second hero" to popularise Rabindra Sangeet, the first being the legendary Pankaj Kumar Mallick.
In Mumbai, along with playback singing, Hemanta carved a niche as a composer. He composed music for a Hindi film called Nagin which became a major success owing largely to its music. Songs of Nagin remained chart-toppers continuously for two years and culminated in Hemanta receiving the prestigious Filmfare Best Music Director Award in The very same year, he scored music for a Bengali movie called Shapmochan in which he played back four songs for the Bengali actor Uttam Kumar.
This started a long partnership between Hemanta and Uttam as a playback singer-actor pair. They were the most popular singer-actor duo in Bengali cinema over the next decade. In the latter part of the s, Hemanta composed music and sang for several Bengali and Hindi films, recorded several Rabindra Sangeet and Bengali non-film songs. Almost all of these, especially his Bengali songs, became very popular. This period can be seen as the zenith of his career and lasted for almost a decade.
In the late s, Hemanta ventured into movie production under his own banner: Hemanta-Bela productions. The story was based on the travails of a Chinese street hawker in Calcutta in the backdrop of India's freedom struggle. The movie went on to win the President's Gold Medal — the highest honour for a movie from Government of India.
Only Bees Saal Baad and Khamoshi were major commercial successes. Back in Bengal, Hemanta scored music for a movie titled Palatak in where he experimented with merging Bengal folk music and light music.
This proved to be a major success and Hemanta's composition style changed noticeably for many of his future films in Bengal such as Baghini , and Balika Badhu. In Bengali films Manihar and Adwitiya , both of which were major musical as well as commercial successes, his compositions had a light classical tinge. In , for commemorating Rabindranath Tagore's birth centenary, Gramophone company of India featured Rabindrasangeet by Hemanta in a large portion of its commemorative output.
This too proved to be a major commercial success. Hemanta went on several overseas concert tours including his trip to the West Indies. Overall, in the s decade he retained his position as the major male singer in Bengal and as a composer and singer to be reckoned with in Hindi films. In the s he was the predominant and lead male voice in many of Tagore's musical dramas like Valmiki Pratibha , Shyama , Sapmochan , Chitrangada and Chandalika. Three - Love Lies Betrayal Toofan Mein Pyar Kahan Tum Haseen Main Jawaan Tum Jiyo Hazaaron Saal Umar 55 Ki Dil Bachpan Ka Vanaprastham - The Last Dance.
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